
The Burning
1981


“How do you kill something that can't possibly be alive?”
2.2K votes
Nerdy high schooler Arnie Cunningham falls for Christine, a rusty 1958 Plymouth Fury, and becomes obsessed with restoring the classic automobile to her former glory. As the car changes, so does Arnie, whose newfound confidence turns to arrogance behind the wheel of his exotic beauty. Arnie's girlfriend Leigh and best friend Dennis reach out to him, only to be met by a Fury like no other.
Director
John CarpenterWriters
Streaming availability for India
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Released
Original Language
English
Budget
$9.7M
Revenue
$21.2M
Production Companies

Christine No Strawberry Girl, She’s Plymouth Fury. CQB 241. Christine is directed by John Carpenter and adapted to screenplay by Bill Phillips from the novel of the same name written by Stephen King. It stars Keith Gordon, John Stockwell, Alexandra Paul, Robert Prosky and Harry Dean Stanton. Music is by Carpenter and Alan Howarth and cinematography is by Donald M. Morgan. How Do You Kill Something That Can’t Possibly Be Alive? 1983 was a busy year for Stephen King adaptations to the screen, along with Christine there was also Cujo and The Dead Zone, so for fans of the legendary aut…
Read full review →One of the most intriguing coming-of-age stories in cinema, and this tends to be overlooked, both as a Stephen King story and horror film, in place of the more sensationalized frolic and mayhem of works such as 'The Shining', 'Carrie', 'Misery' and 'The Shawshank Redemption', which is a crying shame, because: a) John Carpenter is probably the finest director (at least Top 3) ever involved with King adaptations; and b) it perfectly conceptualizes, like earlier short experimental films by the likes of Kenneth Anger, the downright uncomfortable sleaziness and fetishism that has existed, mainly in…
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“She’s a killer!” Said one of the promotional posters for John Carpenter’s feature film, based on the homonymous best-selling novel by famous writer Stephen King. Since its 1983 release, the movie has become a cult-classic, especially for gearheads and horror fans, thanks to its premise. But is the movie a killer thriller or just a clunker 1980s film? For this reviewer, it is an absolutely enjoyable, fun to watch deep character study. Carpenter turns his wrenches on King’s over the top supernatural material, and polishes it into a clearer, more relatable version of the horror romance. T…
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