
The Point Men
2023


“A twenty-first century portrait.”
528 votes
In 1999, teenage sisters Celeste and Eleanor survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of catastrophe — while also catapulting Celeste to stardom. By 2017, the now 31-year-old Celeste is mother to a teenage daughter of her own and struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention.
Director
Brady CorbetWriters
Streaming availability for India
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Released
Original Language
English
Budget
$7.0M
Revenue
$1.3M
Production Companies

_**Irreverent, dynamic, and portentous; the picture it paints of the increasingly indistinguishable divide between celebrity and notoriety isn't pretty though**_ > **Bill O'Reilly**: _You can take some of your lyrics, such as, "You'll understand when I'm dead." I mean, disturbed kids could take the lyrics and say, "you know, when I'm dead, everybody's going to know me."_ > > **Marilyn Manson**: _Well, I think that's a very valid point, and I think that that's a reflection of, not necessarily this program, but of television in general - if you die and enough people are watching, then you_…
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I think Natalie Portman pulls this off well. Her portrayal of the talented but self-destructive rock star rings true of many a tale written of real talent that has got lost in the blurred existence between reality and notoriety - and that's without the additional repercussions of having been the survivor of a shooting at school. Does it trivialise the relationship between terrorism (or gun-toting insanity) and pop music or does it demonstrate the essential need for the latter to go on regardless of the former? Brady Corbet has come in for some stick for his tackling of this, but I feel that ha…
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