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You haven't lived until you've died.

Flatliners (2017)

September 28, 20171h 51mEN
5.6

2.4K votes

Official Site

Overview

Five medical students, hoping to understand the mystery of what lies beyond life, embark on a dangerous experiment. When their hearts are stopped for a short period of time, they have a near-death experience…

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Streaming availability for India

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Top Billed Cast

Status

Released

Original Language

English

Budget

$19.0M

Revenue

$45.2M

Production Companies

The Safran CompanyColumbia PicturesCross Creek PicturesFurthur FilmsLaurence Mark Productions

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User Reviews

Frank Ochieng

There is always a risk involved when revisiting cinema from the past and dusting it off in favor of an ambitious remake for the consideration of today’s adventurous movie-going audience. Hollywood has done this tactic for decades now so this is nothing new to contemplate as food for thought. It is one thing to try and bring back the freshness and impact of the original blueprint from yesteryear for a distinctive film that proved to be critically acclaimed, extremely popular, conveniently trendy and memorable for it box office heyday. So what gives for trying to resuscitate a mediocre 1990 Brat…

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Gimly

Gimly

4.0

I thought the original _Flatliners_ was okay, but I was never a big fan. That said, I was still at least partly on board for the potential of a _Flatliners_ TV series. That idea was abandoned in favour of a straight up film-remake, but still I was interested if for no other reason than the cast. The end result? This one's even worse than the original. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

John Chard

John Chard

6.0

Line of flatness for fans of the original - for others not so much. Strictly on a personal level, I always felt that the original Flatliners was average at best. A missed opportunity to use the premise for frightening results, to unnerve, unhinge, whilst intelligently examining the life after death question. So when news of this 2017 remake broke I wasn't in the least bit surprised, the idea at the narrative core was ripe for further filmic delvings. Niels Arden Oplev's 2017 version is itself problematic, and a long way from being all the things I so wanted from the original film, but a…

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